We’re recruiting!

January 10th, 2012

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2012 looks set to be our busiest year yet with lots of exciting new clients already knocking on our door.

To ensure we maintain the high quality of service that our clients expect we’re looking to expand the team, starting with the addition of an experienced account manager.

If you have a minimum of 3 years proven experience ideally within branding, are inspiring, calm under pressure and have excellent client facing and project management skills then we’d be interested to hear from you.

It goes without saying that you should have proven budget administration experience, excellent written and verbal communication skills, and the ability to multi-task, analyse problems, generate ideas and deliver solutions to tight deadlines for multiple clients across a variety of sectors.

If you tick all those boxes please email your CV to paul.dennis@400.co.uk with ‘Account Manager application’ as the subject.

Christmas cheer

December 19th, 2011

At this time of year it’s always nice to reflect on the variety of new work and clients that the last 12 months have brought to 400. We’ve been fortunate to work on some really exciting projects for some really inspiring people, from businesses as diverse as a global construction company to a world class concert venue, and a high end ski retailer to an international firm of economists.

We haven’t got time to sit back though, because we’ve already started looking forward to 2012 and the clients lining up to work with us in the New Year. We obviously can’t say too much just yet but suffice to say we could be learning a lot more about biotechnological research, online art retailing, information security, racehorses and the tallest building in Europe.

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Thankfully we’re still finding time to get into the Christmas spirit, helped in no small part by the numerous festive projects that are going through the studio. Hot off the press is the set of cards above, a new take on the 12 Days of Christmas for one of our favourite clients, RBB Economics.

And Christmas wouldn’t be Christmas without our own limited edition festive mailing, which this year we think has bettered all of our previous highly creative efforts. Only our clients will be fortunate enough to have one land on their doormats, so if you’d like to see what we’ve been up to please call or drop us a line with a brief that you think we might be able to help you with!

The Value of Design

September 26th, 2011

Now, we’ve been saying this for years, but of course we’re biased: according to the Design Council’s Value of Design Factfinder, there’s comprehensive evidence to prove the importance and value of businesses using design. Based on The Design Council National Survey of Firms 2005, and Added Value Research 2007, the report has thrown up some impressive and heartening statistics.

Bottom line; there’s a proven link between investing in design and business performance. Businesses that had put more money into their design over the past three years also increased their chances of turnover and growth. Furthermore, businesses who see design as integral are more than twice as likely than others to see rapid growth.

The report is comprehensive and takes all sorts of market factors into account to assess the return on design investment, but the fact is that whether it’s services, products or communications, design has a role to play in every-sized business across every sector.

Why not check out the findings and ponder if your business could benefit from a design boost?

Solidarity Sports: Kids Cook the World

September 6th, 2011

When we were approached by the charity Solidarity Sports to design a bold and impactful leaflet promoting their forthcoming healthy cook book, it was an opportunity we couldn’t pass up. As a studio of committed foodies, we jumped at the chance to get involved with a charity that provides affordable sports provision and healthy eating initiatives in deprived areas of London.

‘Kids Cook the World’ is a celebration of global food and recipes that contains easy, affordable family meals. It features an exclusive foreword by elBulli’s Ferran Adria, and is described as “a beautiful and inspiring family cookbook” by Marco Pierre White. All profits made from the book by Solidarity Sports will be invested back into their community work.

Solidarity Sports was founded in 2007 to teach children from disadvantaged communities key life skills including team work and self-respect – improving their health, confidence and aspirations for the future.

For further information on the book or charity, or if you think you could offer support through donations or volunteering, please contact Sean Mendez on

www.solidaritysports.org T +44 (0)20 7376 0032
E info@solidaritysports.org

Handwritten

August 12th, 2011

Whether it’s hand-written letters, signage, or self-initiated projects, there has been a huge resurgence of hand-written type in the design world recently. There has always been a presence of this in the industry, but it has moved to the forefront as of late. The personality of someone’s handwriting is something that standard typefaces (no matter how aesthetically pleasing) just can’t replicate, and as far as we are concerned, it will always have its place in design. We have highlighted some of our recent favourite examples below:


Snail Mail My email

Type out a letter to someone in an email, and a volunteer will write it out and send it for you. Delightful! (If you would like to do this, hurry up, the project ends on August 15th!)


The Hand Written Letter Project

If you work in design, you can hardly have escaped this project, which has received widespread attention. Craig Oldham asked some leading designers to send him handwritten letters on their studio letterhead and exhibited the results. The exhibition (KK Outlet, Hoxton Square) is open until August 27th.

Let’s Make Some Great Art
The immensely talented Marion Deuchars has put out a fantastic new book that we cannot wait to get our hands on.


Dana Tanamachi

Dana Tanamachi’s splendid chalkboard lettering has us practicing our own chalkboard skills on our new studio chalkboard walls. Wonderful!

Why we’re members of the DBA

August 4th, 2011

We’ve signed up for another year of membership with the Design Business Association this week, so we thought we’d share a few words with you about why we’re DBA members.

As a body, they help to establish design as an investment, not an expense. It gives UK designers and the profile of design an authority and voice that promotes productive partnerships in business.

It provides a directory of design for those seeking services, as well as advice on selecting the right design partner for your business. DBA has developed a best-practice guide to help you get the best design solution possible, from developing the brief, to invitations to pitch, to getting started on the collaboration.

It also allows agencies to showcase their work and expertise via a trusted independent source. As an agency, we get invaluable access to support, training and events that allow us to keep on top of our game so that we can deliver the most engaging and effective design to current and future clients.

Check them out at http://www.dbadirectory.org.uk/dba/advice

One Youth Dance

July 29th, 2011

Recently, we completed a piece of work for dance organisation One Youth Dance. We were so impressed by their passion and enthusiasm that we agreed to design a launch poster for their first round of auditions. One Youth Dance is a company for 14-18 year olds who might not normally have access to or be able to afford regular dance classes.

Experienced dancers Amelia and Joanna, along with some of their choreographer friends (all under 18) will run classes ranging from hip-hop to ballet and designed to appeal to all abilities. They’re holding auditions soon to recruit a dancing team who will partake in shows and events too. It’s all self-funded and they’re hoping to be successful with grants from the Prince’s Trust so they can spread the word of the joy of dance throughout London!

We wanted to create a striking, impactful poster that would stand out on a noticeboard in schools, colleges and leisure centres so we chose a bold typographic design and white reversed-out type with bright accent colours to pick out the ‘one’ in ‘youth dance’. This style can be developed to be applied to a range of future materials, so we wanted to keep it simple and flexible. We’ve already seen the poster in Pineapple studios and it definitely stands out!

The girls were kind enough to bring us some flowers, wine and chocolates yesterday to say thanks for our help, which was very lovely of them and we will certainly enjoy those later to round off our busy Friday.*

*Clients, take note, we are always grateful to receive edible treats.

Check OYD Company out here on Twitter: www.twitter.com/oneyouthdance

Illustrating the point

June 28th, 2011

Scandisk ad series by http://www.bbdo-montreal.ca/
Illustration by Jeffrey Limon

For the past few months, there has been an influx of illustration-based work here at 400 and this has got us thinking more deeply about how we approach these projects.

Illustration has always been a way for people to communicate ideas that need a striking initial impact. If executed correctly, it can succinctly convey a message that ten paragraphs of words can fail to do.

It’s easy to point out successful illustration after the fact, but actually getting it ‘right’ is a difficult task. You need to strike the right tone of voice, you need to attract the attention of the right audience, it needs to be eye-catching, and do all this while nailing its message. People are constantly bombarded with images and something that just “looks good,” doesn’t cut it.

Simplicity is key – if it’s merely an ornate display of your skills, it’s a great exercise for you as a designer, but the key question is what does it do for your client? Concept is hugely important, and it’s something that is vital to 400 in every aspect of our practice – but particularly so in illustration. In a way, it’s much harder to get right because there is no grid to follow or design rule to apply to every project. It’s a wholly case-to-case discipline and if the idea doesn’t work, the viewer will know instantly and dismiss it – or even worse, not notice it at all!

The impact of creating a memorable image can be huge and can lead to representing an entire movement, style, company or person. Ultimately, it is a part of the design discipline, but it toes the line between design and fine art. It’s not always a voice telling us something, it’s an image we ourselves interpret and form our own opinion about. The power illustration wields as a communicator is vast, and we are happy to be getting the opportunity to flex our illustrative skills in more of our projects.

As Stefan Sagmeister has said: “In general, I think we should think more. Thinking, however, is difficult. Typesetting is easy.”

(But we still do that pretty well too.)

Why free-pitching is a false economy

April 20th, 2011

‘Free-pitching’. A phrase guaranteed to strike despair into the heart of any design business. It’s one of the bugbears of the creative industry, and in an ideal world, potential clients would never request it. But, despite gradual resistance within the UK design industry, they still do.

For those who perhaps aren’t used to the design buying process, or are using old-fashioned and inherited methods of choosing an agency, you can sort of see their point of view. They need a re-brand – they have a significant budget, they want to get a good sense of the agencies available in the market place, their pricing structures and what their creative output is like. So they prepare a design brief in-house, look at some websites, call a few studios, put together a shortlist then, very often without even meeting the design agency, they request free creative to be emailed in.

Is it really good business practice to form a long-term partnership with a team they have never met? Do they really think that creative produced under these conditions is an accurate way to gauge the best agency for their project and their business? That those hastily-prepared ideas will actually meet their commercial needs? Do they not realise that this process completely devalues the agency’s work?

The simple fact of the matter is that free pitching is not the best way to choose a design firm.

Clients often spend a long time on design briefs before submitting them to agencies, which is great, but it shouldn’t be the only reference point for the design studio to work from. This is akin to going to the doctors with a self-diagnosis, the doctor taking your word for it, and administering a prescription based on that. You expect an expert to ask questions, dig a little deeper and check to see if there are more problems that you might not have even been aware of.

This is how we approach branding projects. Even if the client brief is well-structured and comprehensive, even if it’s a sector we have lots of experience in – aside from taking our jobs seriously, we’re curious people and we want to get to the root of the problem.

We don’t free-pitch, but we do love showing people what we do and how we do it. Give us a call and arrange a consultation to see what we could bring to your brand.

“Hello, is that The Really Quite Good Project Management Company?”

February 8th, 2011

Sorry for the recent lack of blogging, we’ve been busy working on four simultaneous branding projects. Happy days!

Without wishing to blow our own trumpet, we’ve got a good track record when it comes to branding. Whether it’s for an international investment bank run by high-profile industry players or a specialist ski equipment retailer (our two latest projects), we know how to work with clients to develop solutions that are relevant, memorable and highly effective.

We love the challenges that branding throws at us, and there are few bigger challenges than naming a brand… which is what a project management consultancy, well-known in the construction industry, has asked us to do. The existing brand name carries little equity, business is generally done on a personal level so it’s the relationships forged by the senior partners that have so far determined the success of the firm. But with potential for significant growth around the corner, the time has come to bring the brand in line with the firm’s values and ambitions.

Naming anything is a tricky business. Where do you start? We’ve known people agonise over what to call their pet goldfish, never mind their children or their companies. A name can make or break a brand – it speaks volumes about a company’s position, heritage and brand experience – and if the wrong name is chosen it can be hugely detrimental to the business.

As we’re currently knee-deep in the process, we’ve put together a list of our top naming tips:

Conduct a thorough strategic and competitive analysis of other names in the market – this knowledge will allow you to develop the position and branding of the company.

Differentiation is essential – if everyone in your market place uses a descriptive name, choose a different naming approach for instant stand-out.

Invented names can be problematic – with no clearly discernible meaning they’re often harder to remember than familiar words. But they can be emotionally engaging because of their rhythm when spoken (‘Google’ anyone?) – literally good for word-of-mouth.

Evocative names for brands are multi-dimensional, so are more engaging.

And finally, strong imagery evokes strong memory clues, always helpful for brand recall.

We’ll keep you posted on the project and look forward to sharing the eventual result. Now, I wonder if ‘The Really Quite Good Project Management Company’ is taken…?